Shidaigongguan Building No.5 Office 1212, Haicheng east road, Duanzhou District, Zhaoqing City, Guangdong Province, China+86-13660997637young@oneluckcarpet.com
Our Foshan plant builds the Wool Hand made Area Rug(2) on hand-tufting frames, with a lamination line and a QC room under one roof. The pile is 100 % wool at a 12 mm height and 1800 g/m2 over a cotton canvas back, tufted to the buyer's drawing. Villas, lounges, suites and reception areas specify it for the way wool holds a carved line and springs back. This page covers what keeps a hand-tufted rug right in year three.
Our Foshan plant builds the Wool Hand made Area Rug(2) on hand-tufting frames, with a lamination line and a QC room under one roof. The pile is 100 % wool at a 12 mm height and 1800 g/m2 over a cotton canvas back, tufted to the buyer's drawing. Villas, lounges, suites and reception areas specify it for the way wool holds a carved line and springs back. This page covers what keeps a hand-tufted rug right in year three.
Part 2: In-Depth Product Introduction
Why wool takes a carved surface better than any synthetic
Wool is the one common rug fibre that improves under the shear. Its natural crimp and scaly surface grip each other, so a cut pile stands up in a dense, upright wall instead of lying over. That lets us shear the field flat and carve a design line below it, so a pattern reads through shadow rather than colour alone. In a lounge lit by wall washers, that shadow does most of the work.
That same crimp explains how the pile recovers: wool compresses under a chair leg and pushes back, which is why this build keeps its surface where a cheaper synthetic goes flat. Wool also absorbs and releases moisture vapour without feeling damp. Wool will not survive prolonged soaking or a chlorine splash, so a pool deck or spa wet area is the wrong room.
Hand-tufting, lamination and the tolerance we publish
Tufting by hand means pushing yarn through stretched cotton canvas with a hand-guided gun, following a full-size drawing. A person controls the tool, so a design can be carved, built in two pile heights and cut to any shape. The finish depends on the operator, so we control it in three places: the drawing, the tufting density in each colour block, and the shear.
Published tolerance on the field is plus or minus 1 mm, gauged at nine points per square metre. Peel strength on the cotton-laminate back is recorded between 24 and 32 N/50 mm, 26 N/50 mm typical on wool, and tuft bind reads 30 N to ISO 4919. Wet cleaning changes the length by under 0.4 % on ISO 2551. Edges are hand-finished and squared, under a 10-year construction warranty.
Part 3: Technical Specification Table
Specifications below are the released data for the Wool Hand made Area Rug(2), measured on finished rugs in our QC room. Two notes: size is made to order, and the fire classification applies to the complete laminated build, so changing the backing needs a fresh test.
Made to order; standard 1.6 m x 2.3 m, 2.0 m x 3.0 m and custom sizes
Pattern
Custom design available (artwork supplied by buyer, strike-off approved before production)
Surface / Technique
Hand-tufted
Part 4: Product Features & Applications
Lounges, villas, suites, clubs and reception rooms share one quality: people stay in them long enough to touch the floor. A hand-tufted wool rug is judged slowly, after the first deep clean and the fortieth furniture move. This section covers what to examine in a sample.
1. Reading a hand-tufted rug: pile tolerance and backing
Three questions are worth asking of any sample. Run a palm across the field and feel for ripple; a good rug is even to within the tolerance its maker publishes, ours being plus or minus 1 mm. Bend a corner back and look at the bond, which stops tufts migrating underfoot. Tuft bind and laminate peel are tested on every run, never estimated from the yarn specification.
Edges decide how a rug ages. A cut edge exposes the canvas within a season; one that has been folded, hand-finished and squared holds its line for years. At Shanghai Hospitality Design Week we asked 58 project purchasers what they inspect first on a hand-tufted sample; thirty-three said they turn it over. The face is tested too: 24,000 rubs to ISO 12947-2 at 5 kPa, light fastness Grade 5 on ISO 105-B02, rubbing fastness Grade 4 on ISO 105-X12, all light-contract figures.
2. Villas, lounges, suites, clubs and reception areas
Suitable rooms have a defined seating group and a floor worth dressing: a villa living room over pale stone, a hotel lounge, a club reception, a suite where the rug ties bed and chaise together. Wool gives colour a depth that synthetic pile flattens, and carved lines carry a pattern from the wall onto the floor.
Proportion decides whether the result looks finished. A lounge of roughly 60 m² with high ceilings usually takes a 2.5 m x 3.5 m panel with 400 mm of stone visible around it, while a suite takes a 2.0 m x 3.0 m rug under the bed's front third. The Athens hotel below set its sizes from a furniture plan rather than a stock list, the approach we recommend.
3. Irregular pile height and edge curl on a hand-tufted rug
An uneven field is the first defect to look for, and the factory can prevent it. It appears where the gun passed twice or the shear was set deep, leaving a dip that catches light. Held inside a tight tolerance the eye cannot find it; at 3 mm a guest notices it at once in raking window light.
Curl is the second defect, and it comes from packing or underlay rather than tufting. A rug stored folded for two months takes that memory into the canvas, and one laid on freshly cleaned stone lifts at the corners as the floor dries. We roll every piece instead of folding it and ask for a felt underlay on hard floors. Where curl has set, laying the rug face down with weights on the corners usually returns it.
Case Study
Case study: carved wool rugs for a boutique hotel in Athens, Greece
A 42-room boutique hotel near Syntagma Square refurbished its lounge and eight suites in 2023. The order came to 210 m² in nine pieces: one 2.8 m x 4.0 m lounge rug and eight 2.0 m x 3.0 m suite rugs. The brief asked for a warm neutral field with a carved border echoing the stucco mouldings. A machine-made sample was rejected as looking printed.
We tufted the order in 100 % wool at 1800 g/m2 on cotton canvas, carved the border below the field and shipped after a strike-off. Eighteen months on there is no edge curl on any piece, and a 2025 re-order of six suite rugs matched the original yarn lot. Housekeeping logged four stain complaints in that period against twenty-two a year earlier.
Quality Assurance & Testing
The test file behind every wool hand-tufted order
Raw test reports back every wool order. Abrasion is measured to ISO 12947-2 at 5 kPa, returning 24,000 rubs to defined change. Light fastness reads Grade 5 on ISO 105-B02, rubbing fastness Grade 4 on ISO 105-X12, tuft bind 30 N on ISO 4919 and laminate peel 26 N/50 mm. Wet cleaning changes the length by under 0.4 % on ISO 2551. Fire performance is Bfl-s1 to EN 13501-1, tested through EN ISO 9239-1 and EN ISO 11925-2, and emissions meet GB 18587-2001 Class A. Third-party inspection by SGS, Intertek or BV is available, and this range shows at DOMOTEX Hannover.
Frequently Asked Questions
How should a wool hand-tufted rug be fixed on a hard floor?
On marble, porcelain or timber, use a felt underlay cut slightly smaller than the rug and leave the piece loose so it can be rotated. A light tackifier at the corners suits a reception where the rug must not move. Avoid full glue-down: it makes cleaning and rotation impossible.
What vacuum and cleaning routine suits wool in a hotel?
Suction cleaning daily in public areas and twice a week in suites, with the beater bar off, because a stiff brush pulls yarn. Blot spills within five minutes instead of rubbing. Book a deep clean yearly with a wool-safe method, and never soak the rug or leave it damp against the floor.
Can you match a Pantone reference in wool?
Usually to a close visual match, and we confirm with a physical strike-off before production. Send the Pantone number plus a material board or two interior photographs, because warm light, daylight and cool commercial lighting change how the same tone reads. A simple design carries two to four colours well; a rich floral may need ten.
Product Details
Surface, packing, underlay and how to order
At this pile weight wool feels denser and cooler than acrylic, with a faint bloom where the shear has opened the fibre. Colour sits deep in the pile, so a mid-tone shifts between noon and evening, which is why we send a strike-off to view in the room. Carving gives a design two levels, and the cotton canvas back stays flat on stone.
Pieces ship rolled on a core in a woven export bag, labelled with size, colour code and room reference. Every rug is made to order, so there is no stock to sell down: send the floor plan and artwork, and we will return a size schedule and a quotation within three working days. LUCK Carpet, Foshan, Guangdong: 26,000 m² of plant, 180 staff, 14 years exporting.
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